Please use this identifier to cite or link to this item: http://lib.ndu.edu.ua/dspace/handle/123456789/787
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dc.contributor.authorPavlova, О.М.-
dc.date.accessioned2019-03-13T07:39:06Z-
dc.date.available2019-03-13T07:39:06Z-
dc.date.issued2018-
dc.identifier.udc821.161.2:82-21; 82-223-
dc.identifier.urihttp://lib.ndu.edu.ua/dspace/handle/123456789/787-
dc.description.abstractIn the article the author considers the process of creating the modern myth – the exclusion zone – in the plays "Third Prayer" by Ya. Vereshchak, "Lost Fugitives" by Neda Nezhdana, "At the Beginning and at the End of Time" by P. Arie. Major attention has been focused on identifying modern aspects of the reception of the Chornobyl technogenic catastrophe: the overlapping and convergence of archaic and social myths, model of initiation; the correlation of the concept "Us"/"Them"; the peculiarities of the "memory" and "recollections" of those events; the artistic representation of the archetypal images of Land/Home; the decoding of the mental code of nation in the post-apocalyptic period.uk_UA
dc.language.isoenuk_UA
dc.publisherВидавництво НДУ ім. Миколи Гоголяuk_UA
dc.subjectmemoryuk_UA
dc.subjectplotuk_UA
dc.subjectarchetypeuk_UA
dc.subjectinitiationuk_UA
dc.titleThe Myth of Chornobyl in Contemporary Ukrainian Drama Plotsuk_UA
dc.typeArticleuk_UA
Appears in Collections:Література та культура Полісся. Випуск 91 (2018 р.)

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